Clear prices, no surprises

You send me the separate tracks of your song (vocals, drums, bass, synths...) and I balance them so everything sits well together: levels, EQ, effects and space.

The final polish of a finished mix. The song gets the right loudness and sounds good everywhere, from phone speakers to a club. It's the last step before release.

Both steps, done by me one after the other. The most common choice if you have a recorded song and want it ready for Spotify.

Cleaning up recordings before the mix: lining vocals up in time, picking the best takes, removing breaths, noise and clicks.

Mastering from a few groups of your song (for example drums, bass, vocals, everything else) instead of one finished file. It gives more control when the mix isn't perfect.

For DJs who record a mix or a live set: I even out the loudness and tone between tracks so the whole set sounds like one piece.

Extra versions of the same song: without vocals (instrumental), vocals only (acapella), shorter for radio, or a louder club version.

You send me your song, I listen carefully and write down what works and what to fix, with concrete tips you can do yourself.

Every job includes 2 rounds of changes. If you want more changes after that, each extra round is charged separately.

Turning an idea into a finished song: I build drums, bass, chords, sounds and the arrangement around your melody, vocal or demo. For songs you started but got stuck on, see song finishing.

For songs that got stuck halfway. Send me your FL Studio or Cubase project (or stems) and I finish what's missing: sections, transitions, drops, builds and breakdowns, so the song is ready for mixing.

Music written completely from scratch for your project: a song, a video, a podcast intro or anything else that needs its own music.

A piece of music written especially for your game, for example the theme that plays in the menu or in one level. You get it ready to loop in the game.

The same melody in a different mood: calmer for exploring, faster for a chase, darker for a boss fight. Cheaper than a new track because the theme already exists.

Short sounds the game plays when something happens: button clicks, picking up items, jumps, hits. Each one comes in a few versions so it never gets repetitive.

A short musical signature with the station's name, often sung, that listeners recognise straight away.

A short piece of a few seconds with a voice and effects, played between songs. It reminds listeners which station they're tuned to.

The intro that plays at the start of a show, so listeners know right away which show is on.

Background music that plays quietly while a presenter talks.

For stations that need new material regularly: each month I make an agreed number of pieces for a fixed monthly fee.

The classic ad: a professional voice (male or female, included in the price) reads your text over a music bed, and I edit and mix everything so it's ready for radio or online.

An ad where the voice and/or music are made with AI tools, then edited and mixed by me so it sounds professional. Quicker and cheaper than hiring singers or several voice actors.

For something special: a whole scene with several voices, sound effects, music made just for you or a sung jingle. The price depends on the idea.

You already have a video (TV ad, YouTube, Instagram) and I make everything you hear: effects synced to the picture, music cut to the edit, a clean voice-over and the right loudness for TV or online.

Cleaning up and editing voice recordings: taking out mistakes, long pauses and noise, so the voice sounds clear and professional.

A short sound of a few seconds that people connect with your brand, like the sounds you remember from well-known ads.